Wednesday, October 30, 2013

Partlet a la Francais

Francois Clouet drawing 

       I had made this weekend on projects. I finally completed my French renaissance partlet. It has gold and silver cord trim, purchased at Pillaged Village. I hand embroidered some gold and silver work in a lozenge pattern with freshwater pearls at the intersections. It is based on portraits of nobles from the French court from 1520-1560 by the artist Clouet.

      I have yet to write up my documentation on this project and have yet to do the same on my ruffs. It's hard sitting with  hubby since time is limited in the evening to be together. I still have work on details of this project. It needs to be lined which I do still have some linen to line it with. And I also have to attach some ribbon to the corners in order to have ties. I also need to fine jeweled clasps like on the front of this example Clouet drawing above left.

French Partlet Back
Front French Partlet




On ward to pockets now. I have orange gold silk for the top face of the pocket and I have another fabric for the bottom, most likely be cold lozenge fabric which I'm going to use also as an accent fabric for these fancier pockets. I have silk thread to attach everything together and then the inside is lined with the linen. I was also thinking of using my coral colored velvet as another alternative to make a different style of the Italian  pockets.

Hope to post more progress on the pockets as soon as I can. Have so many ideas on design it's hard to narrow it down. This is why I am doing more than one based on portraiture from the period. That will be more explained when I finally write up the research. I need to get these projects done ASAP and sent to a friend. Let's hope when they are done that they get a warm reception.

Back to the Grindstone,

Maureen


Monday, October 21, 2013

Lucy Locket's Pocket

Puff of Ruff
       Trying to find time to make projects tasked to me at coronation, a challenge is always a healthy endeavor. Needing to show more variety in in my SCA projects, so trying to keep it Elizabethan practical so here it goes. The first of three projects to get some variety sparking. Making a set of embroidered pockets, an embroidered partlet, and a suite of ruffs. So when I get these done, will post pics as I am today.

Front and Back
Still working on 16th century references to embroidered pockets, not much success that is English pockets. Some continental versions that are made from fancy fabrics and couched embroidery. Which is on the trail! There are period examples of separate pockets but they are mainly Italian and some Spanish references. Turns out in Italian they are called a soccacia, who knew. There are English references in Queen Elizabeth's Wardrobe Unlocked to pockets she had made;. though they are period listings from her household and not much great detail is given other than fabric and color. No reference to decoration or use, which I am sure to an Elizabethan would be obvious. With the change vocabulary in our language its a bit murky. Some pockets referenced are matching fabrics from gowns also listed. Others are listings of many pockets made with no corresponding garment. My hypothesis is these separate pockets are made to go with many outfits separate of garments. I know from the foreign examples that the embroidery period extent pockets are a form of couching. Got to start from somewhere, so working on the historical origins of pockets to get a 16th century grasp.

This is the coif I want to embroider.
Found a nice pattern from an extant coif I want to emulate, it's really beautiful. I love the colors and pattern arranged on the coif. This one pictures to the left is in Patterns of Fashion 4. Its lovely!

Now to find time to make it;-) wish I could sew at work but between stops while driving is not advised. Plus my vehicle is a dirty utility work truck, would not want to put any light fabric in that vehicle. Let alone put any fabric at all in it for that matter.

Regal Ruff Pose
Work has been busy as expected, though adjusting. Plus getting speedier at my tasks which is making things simpler to complete. Now that things are completed, I should have more time to make  projects.

On the ruff front, I got the suite complete except for the closure. So here are the pictures. This is not starched or ironed so please forgive the unorganized look of my sets. I wanted to get something to a patient audience, since its been a long time since I posted. 

Lozenge Pattern Inspiration
In the meantime, working on a French Partlet with gold and silver embroidery. Taking a drawing by the French court artist Clouet, and using the gold-worked partlet lozenge pattern base with some trim and pearls. So here is to patience since working with metallic threads tangle so badly. I will have to work it all in small sections of thread to save the bunching.thinking backstitch is what will make a smooth delicate line on the linen. 

Will post progress as I get along in the projects. Maybe sometime before I post again. So I wanted to thank everyone for the support of the blog over the past few years. My readership has grown more than I could expect for the narrow topics covered. Another milestone 200 posts in this journey of costuming discovery!

No pictures of me from Fall Coronation, that is what I get for being fashionably late ;-) Youth activities went well, spent time breaking up arguments mostly. Felt like Judge Mairin most of the day, lol. Near by game room was a happening place all ages could work together to learn the many games shared. It was a bit chaotic at time but for the most part everyone just needed some chaperoning to keep younger ones in check. I want to plan more things to do for next time. FFF will have more than just playtime, got some good ideas for that one.

  I was made a seamstress of the court with my limited help with making items for their Majesties. They are so generous, and it was totally unexpected. The items made worked out well and are still loved and used, that was my goal. I received a little scroll that is beautifully calligraphed, no illumination but its not needed. My teacher Duchess Ilish was made on as well, though she did far more work and labor. Made their Majesties Coronation garb, it took most of the night before the big day. A very talented and dedicated tailor, and Their Majesties look perfect!

Well that is about it for now,

Mairin


Replica 1560's Venetian Italian Fashion Doll

Replica 1560's Venetian Italian Fashion Doll

Replica 1560 French Fashion Doll

Replica 1560 French Fashion Doll

Tudor Q and A

What is a Tudorosity?

A mashed combination of the words Tudor and Curiosity to create the word Tudorosity. Tudorosities is the plural form and the deffinition is as follows.

Tudorosity- an desire to learn or know anything about the Tudor dynasty associated with years 1405 through 1603.

Most people ask my why I make the Tudor garb ?

I find the clothing of this era not only beautiful but also challenging to sew. There is much more care and purpose put into making garments and wearing garments in the Tudor Era. I love the look of Tudor so much I wanted to explore the way clothes were made back then and the subtle changes in fashion and styles of time.

How did you get started in this interesting hobby?

I started with art first, I love to draw, paint, and sculpt all the traditional fine arts. So being able to draw helps me visualize the looks I want to create in my garb. History has always been a huge interest of mine and I've had a knack for sewing since I was 7 years old. It all started with doll clothes and I learned cross stitch embroidery from my grandmother when I was little. I am self taught sewer, crochet, knitting, embroidery and tatting. My methods are learned from books mainly and there is still so much more to learn.

What is my favorite outfit and why?

It would be like picking a favorite out of one of my future children, its impossible. I love all my gown creations and really like the distinct differences in all the styles clothing I make for the Tudor Era.

Do you make the whole outfit including hat, shoes, and undergarments?

I do have a goal of making a complete Tudor from the skin out. As of right now I make 90% of my gowns and accessories. The shoes and stockings, are bought online and the petticoats are a close reproduction but not made by me. .

How long does it take to make a gown?

It all depends on the type of gown. The making relies on the time period and class of the design. Generally if I work on it 8 hours a day on a sewing machine it will take 3 days to get the basics and another 5 days to do finish hand-sewing details and beading. So a week to a week and a half if working on it steady for that amount of time. I work a full-time job so it does take longer than a week to complete. I put over 40-100 hours per outfit depending on its complexity, its like its own full time job of sorts.

Do you make renaissance clothing for sale or custom orders?

No, due to new employment and changes in my lifestyle. Unfortunately, I have no time to support sewing for others. Though I recommend sewing lessons for those adventurous few. There are many fine folks who make and sell historical clothing. I suggest guidance with sew from many fine historical enthusiastic costumers out on the internet.

How long have you been making these elaborate costumes?

I have been in the Society of Creative Anachronism coming up on my 18th year. Active since 2004 working at demonstrations and volunteering when I could between working and other life's distractions. I really concentrated on Tudor sewing in 2007 and worked with patterns to learn proper fabrics, techniques, fit, and silhouette. I really enjoy the eras transition from a medieval form fitting layered cotterdie to the boned Tudor kirtle and then to structured Elizabethan clothing.

Replica 1490 Milan Italian Fashion Doll

Replica 1490 Milan Italian Fashion Doll
Based on art by Giovanni Ambrogio

O’Kealy Heraldry

O’Kealy Heraldry