Sunday, August 10, 2014

Work Hard...Play Hard

Found gold organza gold embroidered placemats on Ebay, been eyeing up these for a while. I figured a partlet was possible but didn't realize there was enough for a matching bonnet. These have some Tudor like embroidered flowers, gold seed and bungle beads on gold embroidered leaves and swirl edge with scalloped edging. This was a lot if fun to make, though it was a lot of assembly and careful stitching. Organza is not very forgiving on fraying, so had to negotiate the gorgeous gold shiny fabrics carefully. These were made from placemats, as seen by the photo below. Took an evenings worth of hand sewing to complete.

It's ironic that once I bought this and started assembling it, into a new to me partlet/bonnet set, that one later gown I purchased would match it. A couple weeks after buying the placemats for my birthday, bought two Elizabethan gowns in partial completion for a steal of a deal. It had a small amount of binding tape the same color as the burgundy in the partlet flowers. I found a merlot burgundy fabric to line the sleeves, which there was enough fabric to complete the sleeves and guards. I have to add the burgundy trim that I have, which was from an SCA auction in large quantities. Figure I can try a few different combinations of laying trim and see what looks nicest.

 Here is what the fabric looks like.  The bodice was complete but needed to add a back panel, sleeves, skirt and eyelets. It comes out as a similar to side back lacing on me.  So I will have more control over the fit and not squeeze into a gown too small.  The picture to the left is a good photo of the color and damask pattern variation.  It's very beautiful in person. Lining with the burgundy fabric really punches it up, all because I followed the same color binding tape on the gown bodice. Right now besides setting sleeves and laying the trim. Looking into laces for these but still lots of finishing to be done before looking to lucet laces and points.

I have a second gown with puffy sleeves and yardage for a skirt. It's burgundy with gold lozenge pattern. Though there are laces on the front, maybe to attach a placard. I have to set a back panel to make this side back lacing to fit. Sleeves fit and length is good. Looking for pleating the skirt, attaching it to bodice.  I need to figure out if I can find hundreds of freshwater seed pearls to accent the lozenge fabric. Not sure if I want to make an open from skirt or keep it closed.  There is black binding  on the bodice and the black laces. So got to figure out this war puzzle of fun.

So collecting real silk for A&S projects.  Finishing off these partial gowns and accessories for something new to wear. For now just keep up working on these and thoughtfully plot my next A&S project for the coming months.

Regards,

Maureen

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Replica 1560's Venetian Italian Fashion Doll

Replica 1560's Venetian Italian Fashion Doll

Replica 1560 French Fashion Doll

Replica 1560 French Fashion Doll

Tudor Q and A

What is a Tudorosity?

A mashed combination of the words Tudor and Curiosity to create the word Tudorosity. Tudorosities is the plural form and the deffinition is as follows.

Tudorosity- an desire to learn or know anything about the Tudor dynasty associated with years 1405 through 1603.

Most people ask my why I make the Tudor garb ?

I find the clothing of this era not only beautiful but also challenging to sew. There is much more care and purpose put into making garments and wearing garments in the Tudor Era. I love the look of Tudor so much I wanted to explore the way clothes were made back then and the subtle changes in fashion and styles of time.

How did you get started in this interesting hobby?

I started with art first, I love to draw, paint, and sculpt all the traditional fine arts. So being able to draw helps me visualize the looks I want to create in my garb. History has always been a huge interest of mine and I've had a knack for sewing since I was 7 years old. It all started with doll clothes and I learned cross stitch embroidery from my grandmother when I was little. I am self taught sewer, crochet, knitting, embroidery and tatting. My methods are learned from books mainly and there is still so much more to learn.

What is my favorite outfit and why?

It would be like picking a favorite out of one of my future children, its impossible. I love all my gown creations and really like the distinct differences in all the styles clothing I make for the Tudor Era.

Do you make the whole outfit including hat, shoes, and undergarments?

I do have a goal of making a complete Tudor from the skin out. As of right now I make 90% of my gowns and accessories. The shoes and stockings, are bought online and the petticoats are a close reproduction but not made by me. .

How long does it take to make a gown?

It all depends on the type of gown. The making relies on the time period and class of the design. Generally if I work on it 8 hours a day on a sewing machine it will take 3 days to get the basics and another 5 days to do finish hand-sewing details and beading. So a week to a week and a half if working on it steady for that amount of time. I work a full-time job so it does take longer than a week to complete. I put over 40-100 hours per outfit depending on its complexity, its like its own full time job of sorts.

Do you make renaissance clothing for sale or custom orders?

No, due to new employment and changes in my lifestyle. Unfortunately, I have no time to support sewing for others. Though I recommend sewing lessons for those adventurous few. There are many fine folks who make and sell historical clothing. I suggest guidance with sew from many fine historical enthusiastic costumers out on the internet.

How long have you been making these elaborate costumes?

I have been in the Society of Creative Anachronism coming up on my 18th year. Active since 2004 working at demonstrations and volunteering when I could between working and other life's distractions. I really concentrated on Tudor sewing in 2007 and worked with patterns to learn proper fabrics, techniques, fit, and silhouette. I really enjoy the eras transition from a medieval form fitting layered cotterdie to the boned Tudor kirtle and then to structured Elizabethan clothing.

Replica 1490 Milan Italian Fashion Doll

Replica 1490 Milan Italian Fashion Doll
Based on art by Giovanni Ambrogio

O’Kealy Heraldry

O’Kealy Heraldry