Monday, January 11, 2021

Dastardly Doll Project- Follow Up


Well finalized all the research and ended up with 31 pages of awesome. Granted 12 pages is the research and bibliography, the rest is process photos. Although that is how the cookie crumbles, when you are on a physical project based research and not some analytical theoretical thesis of various topics. Although the analytical theoretical type of research might be 31 pages of text, I digress that detailed pictures are also awesome research. Especially if a picture is worth a 1,000 words, should be covered.

Printed the entirety and found a reasonable professional printer to replace the juggernaut that was Staples. Which did suit my needs, when I lived in a different physical location. Its all in a 1/2" binder and sleeves, very nice. I hope this will be a start with the information from my History of Dolls class, to make a History of Dolls end all be all research document. Its going to be a mild book for certain.

I have been able to re-purpose some failed sewing projects  to 1/2 scale supplies for Dorothy. Additionally some unused items like fresh water pearl jewelry in the correct scale for her use. Loads of pearls as you can expect. So far I have a lined blackwork coif with mild goldwork, blackwork chatelaine with glass beads and pearls, a lined wool pocket w/ blackwork glass beads and pearls, black linen apron w/ blackwork gladd beads, red silk belt pouches w/ pewter findings, suite of linen ruffs, suite of lace ruffs, and lastly in-progess blackwork embroidery for a 1/2 scale blackwork waiscoat. I will need material for a skirt or simple black kirtle but have some in mind in my stash. Sourcing the materials to make the green velvet kirtle and white cloth of silver loose gown. So on the hunt for 3 yard piece for each. Since this is for specifically Dorothy, I don't need to buy a large amount of yardage. 

 This whole project has been so much more fun for me than I had planned. I feel Dorothy will be a good tool for me to work on my sewing and produce detailed pieces. I have a silent teammate in my corner to inspire better technique. Then have the confidence to scale it up and fit myself better for garb projects in the future. The 1/2 scale has such better showing the true behavior of the fabrics and their relationships between the lining and fashion fabric. 1/2 scale is representative of the nature of the fibers of the fabric. The truth in the behavior that small scraps can't communicate as effectively when small. I can see how a 1/4 or less doll would be more for texture and possible decoration, although that is the limit of its use when small.

Great to find sources, even if 2ndry sources that show 1/2 and full scale were used.  Will find some primary sources eventually, more a matter of time.

Having fun in little,

Marrin

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Replica 1560's Venetian Italian Fashion Doll

Replica 1560's Venetian Italian Fashion Doll

Replica 1560 French Fashion Doll

Replica 1560 French Fashion Doll

Tudor Q and A

What is a Tudorosity?

A mashed combination of the words Tudor and Curiosity to create the word Tudorosity. Tudorosities is the plural form and the deffinition is as follows.

Tudorosity- an desire to learn or know anything about the Tudor dynasty associated with years 1405 through 1603.

Most people ask my why I make the Tudor garb ?

I find the clothing of this era not only beautiful but also challenging to sew. There is much more care and purpose put into making garments and wearing garments in the Tudor Era. I love the look of Tudor so much I wanted to explore the way clothes were made back then and the subtle changes in fashion and styles of time.

How did you get started in this interesting hobby?

I started with art first, I love to draw, paint, and sculpt all the traditional fine arts. So being able to draw helps me visualize the looks I want to create in my garb. History has always been a huge interest of mine and I've had a knack for sewing since I was 7 years old. It all started with doll clothes and I learned cross stitch embroidery from my grandmother when I was little. I am self taught sewer, crochet, knitting, embroidery and tatting. My methods are learned from books mainly and there is still so much more to learn.

What is my favorite outfit and why?

It would be like picking a favorite out of one of my future children, its impossible. I love all my gown creations and really like the distinct differences in all the styles clothing I make for the Tudor Era.

Do you make the whole outfit including hat, shoes, and undergarments?

I do have a goal of making a complete Tudor from the skin out. As of right now I make 90% of my gowns and accessories. The shoes and stockings, are bought online and the petticoats are a close reproduction but not made by me. .

How long does it take to make a gown?

It all depends on the type of gown. The making relies on the time period and class of the design. Generally if I work on it 8 hours a day on a sewing machine it will take 3 days to get the basics and another 5 days to do finish hand-sewing details and beading. So a week to a week and a half if working on it steady for that amount of time. I work a full-time job so it does take longer than a week to complete. I put over 40-100 hours per outfit depending on its complexity, its like its own full time job of sorts.

Do you make renaissance clothing for sale or custom orders?

No, due to new employment and changes in my lifestyle. Unfortunately, I have no time to support sewing for others. Though I recommend sewing lessons for those adventurous few. There are many fine folks who make and sell historical clothing. I suggest guidance with sew from many fine historical enthusiastic costumers out on the internet.

How long have you been making these elaborate costumes?

I have been in the Society of Creative Anachronism coming up on my 18th year. Active since 2004 working at demonstrations and volunteering when I could between working and other life's distractions. I really concentrated on Tudor sewing in 2007 and worked with patterns to learn proper fabrics, techniques, fit, and silhouette. I really enjoy the eras transition from a medieval form fitting layered cotterdie to the boned Tudor kirtle and then to structured Elizabethan clothing.

Replica 1490 Milan Italian Fashion Doll

Replica 1490 Milan Italian Fashion Doll
Based on art by Giovanni Ambrogio

O’Kealy Heraldry

O’Kealy Heraldry