Sunday, March 28, 2021

1919 Singer Model 66 Red Eye

Gertrude in table
with hand crank
Well its tough to beat getting married for a new blog post. Although I do have some interesting news. I have another working Vintage Singer Model 66 Red Eye Sewing Machine!  This particular machine is the one that came along with the treadle table, that now holds my 1923 model. 

This machine was not in good shape, she was dirty, quite rusty and stiff operating at best. So I set the included machine aside since it also had an aftermarket electric engine added. Which didn't make sense having an electric machine in table meant for treadle operation.  Recently, I decided to take another look over in more detail. When I set her aside her presser foot lever was not working, which at the time I thought that meant there was something wrong on the inside of the machine.

Key to Treadle Table


Turns out cleaning and some oil works wonders! Wish that worked on people. Since I had recently researched and practiced with in 1923 model. I oiled up the various points, and worked it through although the presser foot still was frozen. I cleaned gently the painted portions and oiled the top part of the foot mechanism. After working in the oil, voila it works! Moved up and down with ease. The drop of the presser foot can be adjusted, so will work out the correct adjustment for it. I added the hand crank I originally purchased for "Margaret" my 1923 model. Put that crank on "Gertrude" my 1919 model and it fits fine. I removed the electric motor first for this change out.  Plus I will re-oil, and my next step is to adjust the tension for linen fabric on this machine.

I have a bobbin winder for both machines but I do have to work out some operating ticks with each. So that is to come as well. Least I have plenty of presser feet and accessories for both machines. There parts are interchangeable since they are the same model. Helps becoming familiar with this as compared to relearning a new model, serendipitous. 


Since tension takes some adjustment on these, I plan on having Margaret 1923 for wool and thicker fabrics is and keep Gertrude 1919 for linen and thinner if she can be adjusted to the correct tension for these. So still more work to be done, although significant progress already. I feel like a mechanic almost, proud of myself for taking on a possibly not easy challenge. I have to take steel wool to the metal parts to gently rub out the rust if possible. My LED clamp lamps is perfect option for my two machines, since I can move it for lighting each machine as I work with them individually.

Since Margaret 1923 likes to have cotton thicker thread, I purchased some Gutermann's quilting thread in various colors, while it was on sale at Joann this weekend. I am hoping to see if I can have a thinner cotton to be agreeable with Gertrude, fingers crossed. Hoping to use Gutermann's natural cotton thread for her, wanting to keep quality to keep these two running for a long time. 

Hoping to make a video for my YouTube channel on the operating differences between these two sets ups of non electrified sewing. Well another week in the books. Lots to keep busy. Keep on keeping on!

Marrin

  

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Replica 1560's Venetian Italian Fashion Doll

Replica 1560's Venetian Italian Fashion Doll

Replica 1560 French Fashion Doll

Replica 1560 French Fashion Doll

Tudor Q and A

What is a Tudorosity?

A mashed combination of the words Tudor and Curiosity to create the word Tudorosity. Tudorosities is the plural form and the deffinition is as follows.

Tudorosity- an desire to learn or know anything about the Tudor dynasty associated with years 1405 through 1603.

Most people ask my why I make the Tudor garb ?

I find the clothing of this era not only beautiful but also challenging to sew. There is much more care and purpose put into making garments and wearing garments in the Tudor Era. I love the look of Tudor so much I wanted to explore the way clothes were made back then and the subtle changes in fashion and styles of time.

How did you get started in this interesting hobby?

I started with art first, I love to draw, paint, and sculpt all the traditional fine arts. So being able to draw helps me visualize the looks I want to create in my garb. History has always been a huge interest of mine and I've had a knack for sewing since I was 7 years old. It all started with doll clothes and I learned cross stitch embroidery from my grandmother when I was little. I am self taught sewer, crochet, knitting, embroidery and tatting. My methods are learned from books mainly and there is still so much more to learn.

What is my favorite outfit and why?

It would be like picking a favorite out of one of my future children, its impossible. I love all my gown creations and really like the distinct differences in all the styles clothing I make for the Tudor Era.

Do you make the whole outfit including hat, shoes, and undergarments?

I do have a goal of making a complete Tudor from the skin out. As of right now I make 90% of my gowns and accessories. The shoes and stockings, are bought online and the petticoats are a close reproduction but not made by me. .

How long does it take to make a gown?

It all depends on the type of gown. The making relies on the time period and class of the design. Generally if I work on it 8 hours a day on a sewing machine it will take 3 days to get the basics and another 5 days to do finish hand-sewing details and beading. So a week to a week and a half if working on it steady for that amount of time. I work a full-time job so it does take longer than a week to complete. I put over 40-100 hours per outfit depending on its complexity, its like its own full time job of sorts.

Do you make renaissance clothing for sale or custom orders?

No, due to new employment and changes in my lifestyle. Unfortunately, I have no time to support sewing for others. Though I recommend sewing lessons for those adventurous few. There are many fine folks who make and sell historical clothing. I suggest guidance with sew from many fine historical enthusiastic costumers out on the internet.

How long have you been making these elaborate costumes?

I have been in the Society of Creative Anachronism coming up on my 18th year. Active since 2004 working at demonstrations and volunteering when I could between working and other life's distractions. I really concentrated on Tudor sewing in 2007 and worked with patterns to learn proper fabrics, techniques, fit, and silhouette. I really enjoy the eras transition from a medieval form fitting layered cotterdie to the boned Tudor kirtle and then to structured Elizabethan clothing.

Replica 1490 Milan Italian Fashion Doll

Replica 1490 Milan Italian Fashion Doll
Based on art by Giovanni Ambrogio

O’Kealy Heraldry

O’Kealy Heraldry