Tuesday, June 11, 2024

Doll Lecture


I am teaching at spring academy this year. This time around, I’m doing a lecture about the methods materials and sources that I use for creating replica fashion dolls. So I go into the methods of the various different kinds that I have tried and compare them side-by-side. 

Then I talk about the sources which I include a lengthy amount of images in my handout to show the various different portrait paintings that I use as inspiration. They occupy about 75% of the handout that I have available, but they are by no means the total amount of visual resources that I have in total. 

 In this lecture, I also discuss the materials that dolls can be made out of the reasons I’ve chosen certain kinds of materials. What would’ve been available during the time period. And the most common kinds of fashion dolls that were available, which tended to be fabric and stuffing over a wire body or wooden. Clay dolls did also exist during this time frame as well, and I discussed the various different kinds of Ceramic materials that was used. 

In total, my handout ends up being 44 pages because of the share amount of images that I am including and discussing along with images of dolls that I have created. And I was choosy on the images of the doll that I included. I have not included every single image of every doll that I have made. It would’ve made the hand out unnecessarily long if I had. 

I include additional information that goes into the 17th century. Even though in the SCA, we really don’t research wise try to go beyond the death at Queen Elizabeth in 1603. There are folks who do research rapier and other kinds of weaponry that go up to about 1620 or so. So I wanted to include at least dolls that fall in that timeframe. And a little bit after to show how fashion dolls evolved. 

When I do a handout, I actually like to provide a detailed research document and in this case, I was not going to get away with only having one or two pages with tiny little pictures. I wanted people to really enjoy the visual details of these portrait, paintings of dolls, along with the replicas that I created. 

Even though I’m bringing along with me that in the document I wanted people to be able to have those images as a resource afterwards. So in this case I did spend quite a bit of money creating binders of the information.

With slip sheet holders so I did invest quite a bit of money in this case per binder. I mean if somebody wanted to reimburse me back the total amount that I had put into it they owe about $28. I don’t want that to someone, I really will just take whatever they happen to have available because then they’re receiving a quality bit of information that they can use for their own notes add their own information into it as a basis of being able to research fashion dolls on their own. A true jumping off point for someone else’s own research. 

So here is to hoping I have a good turn out

Mairin


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Replica 1560's Venetian Italian Fashion Doll

Replica 1560's Venetian Italian Fashion Doll

Replica 1560 French Fashion Doll

Replica 1560 French Fashion Doll

Tudor Q and A

What is a Tudorosity?

A mashed combination of the words Tudor and Curiosity to create the word Tudorosity. Tudorosities is the plural form and the deffinition is as follows.

Tudorosity- an desire to learn or know anything about the Tudor dynasty associated with years 1405 through 1603.

Most people ask my why I make the Tudor garb ?

I find the clothing of this era not only beautiful but also challenging to sew. There is much more care and purpose put into making garments and wearing garments in the Tudor Era. I love the look of Tudor so much I wanted to explore the way clothes were made back then and the subtle changes in fashion and styles of time.

How did you get started in this interesting hobby?

I started with art first, I love to draw, paint, and sculpt all the traditional fine arts. So being able to draw helps me visualize the looks I want to create in my garb. History has always been a huge interest of mine and I've had a knack for sewing since I was 7 years old. It all started with doll clothes and I learned cross stitch embroidery from my grandmother when I was little. I am self taught sewer, crochet, knitting, embroidery and tatting. My methods are learned from books mainly and there is still so much more to learn.

What is my favorite outfit and why?

It would be like picking a favorite out of one of my future children, its impossible. I love all my gown creations and really like the distinct differences in all the styles clothing I make for the Tudor Era.

Do you make the whole outfit including hat, shoes, and undergarments?

I do have a goal of making a complete Tudor from the skin out. As of right now I make 90% of my gowns and accessories. The shoes and stockings, are bought online and the petticoats are a close reproduction but not made by me. .

How long does it take to make a gown?

It all depends on the type of gown. The making relies on the time period and class of the design. Generally if I work on it 8 hours a day on a sewing machine it will take 3 days to get the basics and another 5 days to do finish hand-sewing details and beading. So a week to a week and a half if working on it steady for that amount of time. I work a full-time job so it does take longer than a week to complete. I put over 40-100 hours per outfit depending on its complexity, its like its own full time job of sorts.

Do you make renaissance clothing for sale or custom orders?

No, due to new employment and changes in my lifestyle. Unfortunately, I have no time to support sewing for others. Though I recommend sewing lessons for those adventurous few. There are many fine folks who make and sell historical clothing. I suggest guidance with sew from many fine historical enthusiastic costumers out on the internet.

How long have you been making these elaborate costumes?

I have been in the Society of Creative Anachronism coming up on my 18th year. Active since 2004 working at demonstrations and volunteering when I could between working and other life's distractions. I really concentrated on Tudor sewing in 2007 and worked with patterns to learn proper fabrics, techniques, fit, and silhouette. I really enjoy the eras transition from a medieval form fitting layered cotterdie to the boned Tudor kirtle and then to structured Elizabethan clothing.

Replica 1490 Milan Italian Fashion Doll

Replica 1490 Milan Italian Fashion Doll
Based on art by Giovanni Ambrogio

O’Kealy Heraldry

O’Kealy Heraldry