Thursday, October 30, 2025

Dolly Goodness

 


Enjoying the process of creating dolls that are 1:6 scale so about 11 to 12 inches tall. These particular dolls, I found online in the nude. I dressed them in the appropriate layers that would be found for this style of late medieval clothing. The two in the middle are more of a 1520s to 1530 style Henrician Tudor gowns. Middle left has a Gabled English hood, While the middle right happens to have a French Style hood. The gown on the middle right is fully lined in a fake fur, but it is super plush and close cut so it is appropriate for the scale of this doll. Gowns were lined with fur, especially in the winter to keep warm as fireplaces in each room only provided so much heat.

The gown on the middle left is of a purple silk with hanging sleeves that have a purple cotton velvet. The under skirt and foresleeves are made from a brocaded silk that has a metal accent running through the design. The same fabric is used on the Gabled English headdress, which has a black silk split veil on the back side. And each design has its own custom-made jewelry and either glass, metal, with some pearl accents.

The doll on the far right is created in a 1570s style French gown, made out of a red brocaded cotton edged with velvet ribbon. The underskirt is a moss green silk fabric edged in a gold lace. Each doll has a linen shirt, this particular one has rough on the collar and on the neck cuff. A least edged silk handkerchief makes an appropriate veil for this early Elizabethan style.

The doll on the far left is created in a 1570s English style, created from of a light blue dupioni silk. Edged with metallic gold threads and soutache trim. The under-layer is made from a brocade gold and white silk in a floral pattern, which is also used for the above full sleeves. Those sleeves are edged in a lace, as well as the underskirt edged in the same trim. A lace edged linen shirt completes the delicate ensemble, with The same metallic and soutache trim used for a bun covering in the back of the hair.

There has been some challenges, trying to find dolls that are about the size of a Mattel Barbie, but made out of porcelain that are jointed. I’ve been lucky enough to find a few in my travels as I’ve been collecting other size dolls for redressing. i’ve had to resort to looking at advertisement from closed porcelain doll store. As they would have a better likelihood of the size and variety of doll that I am looking for. I’m doing my best to locate dolls that look like adult women and not like children, which is a task easier said than done.

I do have some good news coming up for my research in 2026. I’m not able to share it at the moment due to future time constraints and making sure that thing actually happens. Although I didn’t want to keep completely silent that great Dolly things are coming in 2026. Just because I have achieved some thing doesn’t mean the work ends.Wanted to share some Dolly goodness on this rainy autumn day.

Soon to be Mistress of Poppets,

Mairin 

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Replica 1560's Venetian Italian Fashion Doll

Replica 1560's Venetian Italian Fashion Doll

Replica 1560 French Fashion Doll

Replica 1560 French Fashion Doll

Tudor Q and A

What is a Tudorosity?

A mashed combination of the words Tudor and Curiosity to create the word Tudorosity. Tudorosities is the plural form and the deffinition is as follows.

Tudorosity- an desire to learn or know anything about the Tudor dynasty associated with years 1405 through 1603.

Most people ask my why I make the Tudor garb ?

I find the clothing of this era not only beautiful but also challenging to sew. There is much more care and purpose put into making garments and wearing garments in the Tudor Era. I love the look of Tudor so much I wanted to explore the way clothes were made back then and the subtle changes in fashion and styles of time.

How did you get started in this interesting hobby?

I started with art first, I love to draw, paint, and sculpt all the traditional fine arts. So being able to draw helps me visualize the looks I want to create in my garb. History has always been a huge interest of mine and I've had a knack for sewing since I was 7 years old. It all started with doll clothes and I learned cross stitch embroidery from my grandmother when I was little. I am self taught sewer, crochet, knitting, embroidery and tatting. My methods are learned from books mainly and there is still so much more to learn.

What is my favorite outfit and why?

It would be like picking a favorite out of one of my future children, its impossible. I love all my gown creations and really like the distinct differences in all the styles clothing I make for the Tudor Era.

Do you make the whole outfit including hat, shoes, and undergarments?

I do have a goal of making a complete Tudor from the skin out. As of right now I make 90% of my gowns and accessories. The shoes and stockings, are bought online and the petticoats are a close reproduction but not made by me. .

How long does it take to make a gown?

It all depends on the type of gown. The making relies on the time period and class of the design. Generally if I work on it 8 hours a day on a sewing machine it will take 3 days to get the basics and another 5 days to do finish hand-sewing details and beading. So a week to a week and a half if working on it steady for that amount of time. I work a full-time job so it does take longer than a week to complete. I put over 40-100 hours per outfit depending on its complexity, its like its own full time job of sorts.

Do you make renaissance clothing for sale or custom orders?

No, due to new employment and changes in my lifestyle. Unfortunately, I have no time to support sewing for others. Though I recommend sewing lessons for those adventurous few. There are many fine folks who make and sell historical clothing. I suggest guidance with sew from many fine historical enthusiastic costumers out on the internet.

How long have you been making these elaborate costumes?

I have been in the Society of Creative Anachronism coming up on my 18th year. Active since 2004 working at demonstrations and volunteering when I could between working and other life's distractions. I really concentrated on Tudor sewing in 2007 and worked with patterns to learn proper fabrics, techniques, fit, and silhouette. I really enjoy the eras transition from a medieval form fitting layered cotterdie to the boned Tudor kirtle and then to structured Elizabethan clothing.

Replica 1490 Milan Italian Fashion Doll

Replica 1490 Milan Italian Fashion Doll
Based on art by Giovanni Ambrogio

O’Kealy Heraldry

O’Kealy Heraldry