Thursday, December 25, 2025

Happy Yuletide


    As I look at 2025 in review. There has been some amazing art and research I have been able to create and compile this year.  The doll you see on the left is my most recently finished creation. There are some other dolls in progress, that are in the chemise shift linen stage but nothing that I have patterned for a gown as of yet. So this is the doll that 2025 is closing out with, a Ebay find that was bought undressed.  While the doll was styled in a more Edwardian hair style was a great option for a more Tudoresque design. Since the Victorians and Edwardians really enjoyed a Tudor Revival in their time. I find some fun in acquiring dolls of this style and giving a more accurate Tudor revival rework in clothing for these dolls.             Originally I had a different wreath arrangement, after a few days of contemplation and restyling. I forewent my plan and reworked the headdress. There was a leaf ribbon that is gold leafed from Michael's Arts and Craft. I added some copper highlights to create depth. Opened the wreath wire to make it easier to style. Also put a wreath of pearls to pull those up from the jewelry. Also with the hair being darker brown this allows color to be layered.  Love the periwinkle with orange brocade, this was from Pure silks. I also used a copper colored velvet for the outer gown with some gold lace accents to pull both metals into this ensemble.      


    The doll already had loops for earrings so I was easy to match pearl drops and put those in place. Not all dolls have this feature, but whenever I can find a doll with holes for earrings, I always add pearl drops as the period aesthetic calls for in the 16th century.

    The gold colored necklace and belt were Avon jewelry with a knot like design, that I had in my costume jewelry bin for years. I find myself either shopping smaller dainty pieces for dolls or finding costume pieces that work with the more medieval to renaissance styling for their scale. Many I find second hand stores in my local area. This doll is about 24" tall compared to the smaller size 12" I had done most of the year. The gold lace was purchased from Amazon, they have a bulk feature called Haul that works similar to Temu for some cheaper small items that can be shipped together with free shipping.  I find it interesting that Amazon got on the Temu train with this feature. Although money making is their game. I order trim maybe twice a year but this gives me more variety that I would find locally. Other than Holiday time, I do look at big box retail for trim at Christmas as they get more grand selection that I can use throughout the year for SCA Medieval/ Renaissance uses.  

     The laurel wreaths are charms I also obtained in bulk through Amazon Haul. Surprisingly decent quality for jewelry findings. This feature lets me also find some brass or copper stamping for jewelry that are not always available at local craft stores. This is something I normally purchase online since I began my journey making my own jewelry and dolls.

    I love the profile of this doll, and wishing I could find more quality sculpts like this second hand, really a rare find. While I have done image searches via Etsy and Ebay the AI is not always picking up on the styling just that it's a larger  porcelain doll.  

    There is so much more to be desired with the accuracy of AI. I do not use it for writing my research or my art whatsoever. Art really is an expression of humanity, even if we are replicating human visage though the centuries in figurines that look like us, realistic dolls, lifelike statues and movements of humanity in automations. All of these are made by human hands to display humanity, not to be humanity. The centuries of depictions are only facets that AI could hope to attain. We need to remember we are the artists, the spark that lives encased in our flesh.  There is nothing that can rival our brains power to process than a computer. Humanity's creativity, ingenuity, and invention.

While I may use AI to search things or ask questions, in everyday life. It is not what so ever used in any of my art or research pieces that you find online.  I also do not use it here on Blogger, I type in my imperfect style. Which is very me and that is something that is not going to change here for my readers.
As always I do like to post pictures of the back of the outfit. All the great pleats, seeing how the skirt lays compared to some of my other dolls. See the headdress from behind in this picture as well along with the standing lace.  Always like to have interest from every angle. The lace for the standing ruff is from a vintage dresser scarf, I did have to do some repair on some areas but this is one of the best ways to show it off.

Going back to my original topic, checking my tally for 2025. Created Nineteen Renaissance Porcelain dolls in 2025, Two 18th century styled Vinyl 18 inch dolls dressed with Colonial Williamsburg wardrobes, and Two fantasy styled angel fairy dolls dressed in gossamer dresses.  Total 24 items made this year or styled by me.    

Hoping that your Holiday Season was Warm and Bright,

Maureen
 

No comments:

Post a Comment

Replica 1560's Venetian Italian Fashion Doll

Replica 1560's Venetian Italian Fashion Doll

Replica 1560 French Fashion Doll

Replica 1560 French Fashion Doll

Tudor Q and A

What is a Tudorosity?

A mashed combination of the words Tudor and Curiosity to create the word Tudorosity. Tudorosities is the plural form and the deffinition is as follows.

Tudorosity- an desire to learn or know anything about the Tudor dynasty associated with years 1405 through 1603.

Most people ask my why I make the Tudor garb ?

I find the clothing of this era not only beautiful but also challenging to sew. There is much more care and purpose put into making garments and wearing garments in the Tudor Era. I love the look of Tudor so much I wanted to explore the way clothes were made back then and the subtle changes in fashion and styles of time.

How did you get started in this interesting hobby?

I started with art first, I love to draw, paint, and sculpt all the traditional fine arts. So being able to draw helps me visualize the looks I want to create in my garb. History has always been a huge interest of mine and I've had a knack for sewing since I was 7 years old. It all started with doll clothes and I learned cross stitch embroidery from my grandmother when I was little. I am self taught sewer, crochet, knitting, embroidery and tatting. My methods are learned from books mainly and there is still so much more to learn.

What is my favorite outfit and why?

It would be like picking a favorite out of one of my future children, its impossible. I love all my gown creations and really like the distinct differences in all the styles clothing I make for the Tudor Era.

Do you make the whole outfit including hat, shoes, and undergarments?

I do have a goal of making a complete Tudor from the skin out. As of right now I make 90% of my gowns and accessories. The shoes and stockings, are bought online and the petticoats are a close reproduction but not made by me. .

How long does it take to make a gown?

It all depends on the type of gown. The making relies on the time period and class of the design. Generally if I work on it 8 hours a day on a sewing machine it will take 3 days to get the basics and another 5 days to do finish hand-sewing details and beading. So a week to a week and a half if working on it steady for that amount of time. I work a full-time job so it does take longer than a week to complete. I put over 40-100 hours per outfit depending on its complexity, its like its own full time job of sorts.

Do you make renaissance clothing for sale or custom orders?

No, due to new employment and changes in my lifestyle. Unfortunately, I have no time to support sewing for others. Though I recommend sewing lessons for those adventurous few. There are many fine folks who make and sell historical clothing. I suggest guidance with sew from many fine historical enthusiastic costumers out on the internet.

How long have you been making these elaborate costumes?

I have been in the Society of Creative Anachronism coming up on my 18th year. Active since 2004 working at demonstrations and volunteering when I could between working and other life's distractions. I really concentrated on Tudor sewing in 2007 and worked with patterns to learn proper fabrics, techniques, fit, and silhouette. I really enjoy the eras transition from a medieval form fitting layered cotterdie to the boned Tudor kirtle and then to structured Elizabethan clothing.

Replica 1490 Milan Italian Fashion Doll

Replica 1490 Milan Italian Fashion Doll
Based on art by Giovanni Ambrogio

O’Kealy Heraldry

O’Kealy Heraldry