Sunday, February 16, 2014

Inspiration Strikes Back



Circa 1560
Foresleeve and Foreskirt
Fabric
More gown inspiration, found this image of a gown from the 1560s and I am absolutely in love with it. I was lucky enough to come across some vintage velvet fabric in a very nice shade of red. This is at a local thrift shop, they are curtains of course. It's so odd how I see other things out of everyday materials, wish they have awards for revisioning and repurposing the mundane everyday items to medieval. 

With that being said I would like to make this gown.  Though I don't know if I have enough yardage to complete it. Especially the fullness of the skirt and the way that is pleated. Though I have to say I would love to attempt this one. Even though, I have a red velvet gown made to match 1530 Queen Jane Seymour's Holbein portrait.   Especially the hanging sleeves are lovely on this one. If I can find the right material like the portrait for sleeves and inset and fore sleeves, I would be happy. Update; the fabric I have chose for this how has picture added to this blog
This was the closest representation of the fabric given modern fabric choices on the market in my area. The pattern and type of floral represented had to be the right type of acanthus. The medallion pattern in the hanging sleeve fabric from the painting was the toughest to match. Especially without  learning fabric pairing techniques of the 16th century.

3rd Embroidered Peacock
Hanging Sleeve Fabric
In the meantime I've been steadily working on my Elizabethan embroidered jacket. And I'm making a lot of progress, more so on the peacocks anything else. I am halfway done with them! I really thrilled that they're turning out so nice, been receiving  oodles of compliments on them. I think it'll be even more impressive when I finally start working on the flowers and get them narrowed down to a beautiful selection on the tree limbs along with some leaves and spangles.

I did find out that there was some ideas on how I was to finish the jacket. And that some of the stitches were a little bit too obvious, which I was formulating ways to cover over or change the stitching in the first place. I knew that it was kind of glaring and was needing covered or removed.
2nd Embroidered Peacock

Though I'm working on a series of stitches that I can go around the inside edge of each panel and really give it a finished look. So I'm going to use more of the coral wool like it did on the edges of the pattern pieces. So it all matches and goes with the continuing theme. I  have lots more work before this is all complete and wondering if I would even get close to having this done by Ice Dragon. Though it's been 2 years already, so what is a few more months.
Well that is the update for now, will keep posting progress as it continues. With photos technique posting and finishing details, as always make it a great one.

Embroidering Much,

Mairin

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Replica 1560's Venetian Italian Fashion Doll

Replica 1560's Venetian Italian Fashion Doll

Replica 1560 French Fashion Doll

Replica 1560 French Fashion Doll

Tudor Q and A

What is a Tudorosity?

A mashed combination of the words Tudor and Curiosity to create the word Tudorosity. Tudorosities is the plural form and the deffinition is as follows.

Tudorosity- an desire to learn or know anything about the Tudor dynasty associated with years 1405 through 1603.

Most people ask my why I make the Tudor garb ?

I find the clothing of this era not only beautiful but also challenging to sew. There is much more care and purpose put into making garments and wearing garments in the Tudor Era. I love the look of Tudor so much I wanted to explore the way clothes were made back then and the subtle changes in fashion and styles of time.

How did you get started in this interesting hobby?

I started with art first, I love to draw, paint, and sculpt all the traditional fine arts. So being able to draw helps me visualize the looks I want to create in my garb. History has always been a huge interest of mine and I've had a knack for sewing since I was 7 years old. It all started with doll clothes and I learned cross stitch embroidery from my grandmother when I was little. I am self taught sewer, crochet, knitting, embroidery and tatting. My methods are learned from books mainly and there is still so much more to learn.

What is my favorite outfit and why?

It would be like picking a favorite out of one of my future children, its impossible. I love all my gown creations and really like the distinct differences in all the styles clothing I make for the Tudor Era.

Do you make the whole outfit including hat, shoes, and undergarments?

I do have a goal of making a complete Tudor from the skin out. As of right now I make 90% of my gowns and accessories. The shoes and stockings, are bought online and the petticoats are a close reproduction but not made by me. .

How long does it take to make a gown?

It all depends on the type of gown. The making relies on the time period and class of the design. Generally if I work on it 8 hours a day on a sewing machine it will take 3 days to get the basics and another 5 days to do finish hand-sewing details and beading. So a week to a week and a half if working on it steady for that amount of time. I work a full-time job so it does take longer than a week to complete. I put over 40-100 hours per outfit depending on its complexity, its like its own full time job of sorts.

Do you make renaissance clothing for sale or custom orders?

No, due to new employment and changes in my lifestyle. Unfortunately, I have no time to support sewing for others. Though I recommend sewing lessons for those adventurous few. There are many fine folks who make and sell historical clothing. I suggest guidance with sew from many fine historical enthusiastic costumers out on the internet.

How long have you been making these elaborate costumes?

I have been in the Society of Creative Anachronism coming up on my 18th year. Active since 2004 working at demonstrations and volunteering when I could between working and other life's distractions. I really concentrated on Tudor sewing in 2007 and worked with patterns to learn proper fabrics, techniques, fit, and silhouette. I really enjoy the eras transition from a medieval form fitting layered cotterdie to the boned Tudor kirtle and then to structured Elizabethan clothing.

Replica 1490 Milan Italian Fashion Doll

Replica 1490 Milan Italian Fashion Doll
Based on art by Giovanni Ambrogio

O’Kealy Heraldry

O’Kealy Heraldry