Balancing Act

Well it turns out that organizing really makes a difference. I have reorganized all of my costuming and historical research books. As well as all of my personal novels. So my library is much more categorized and easier to view all of the titles in my collection.

I am now able much easier to find many items on hand. As well as able to reorganize my extensive costume and accessories collection. Now searching is easier in my trunks and my closet, select an outfit with accessories under an hour.

After having lost so much weight, many of my outfits are loose. Which is not very accurate depiction of the clothing of the time. so there will be a lot of time this winter adjusting the fit of my clothing to make sure that it is up to proper standards. In the meantime there is a small selection of historical clothing outfits that will now fit.

More or less the month of October has been a fall cleaning of sorts. I was afraid with all of the changes that I would not be able to attend  SCA events. However I had filled a need at the most recent event called AE war. I was able to fill in for Chatelaine, which was a great experience to try to help in a different way. I also brought some examples of period embroidery, since this topic wasnt on display this event. What was nice to be able to educate on embroidery and help newcomers that would be interested in this immersive experience.

Recently found out that my commission for having my heraldry done in stained glass is complete. I am hoping to pick this up at my next event. And looking for a safe window space to display how gorgeous this custom work of art is. Speaking of custom things, I have a few commissions I am also working on. As I find time, I also have a piece of clothing I am working on for a friend for upcoming festivities.other than alterations, and the gowns that I have spoke about over the past several months. I do not have any additions to new gowns that I want to add.

Howwever, there is always a possibility of finding a new historical portrait to be inspired by to make a creation of a gown. In the meantime I'm going to try to focus a little bit more on embroidery. There are some research projects that I'd like to complete in regards to it and just to become better versed in this skill.

I feel very blessed now to have space to safely display all of my spinning and yarn creation items. I have also found some time to figure out the inner workings of my yarn Swift. It needs some work to make it do what it supposed to do, which is measure about 80 yards of yarn and then click to indicate that there is 80 yards on the winder and a skein is full. At this time I would have to count the revolutions of the yarn winder to fix approx figure out the amount of yarn that would be on the arms. Having the clockwork gears inside carved and working properly will make this a much more functional piece. My spinning wheel is still in fantastic shape and now has a space that it can be properly displayed and used. I am noticing however that many of the working parts are fatigued when I purchased them, and have become more so since I have been using the wheel. So I am having some spindles and spools made for my spinning wheel that are going to be representative of the current equipment, but will be new and be able to put up with more use.

Tabitha has recently adopted the chair is one of her new favorite locations. Along with the new to me reclining rocker wingback chair that I was able to procure. the Jasper and Tabitha take turns sitting on the new chair. They are finding life much more calm than they did last week during all of the moving. Other than their normal running around the house at full speed playful times, things are much more calm.

So other than working my normal busy schedule for work. It is been nice to be able to come home to some very happy cats. Be able to relax a little bit and unwind in the evenings. Some days are longer than others so there is less time in the evening to arrange chores. But at least I am able to make it work on my own schedule. Now that my personal life is much more in my own control, I hope to get my work life back up to the standards it needs to be. Unfortunately I only have so much time during each day to focus on certain things.

Regards,

Mairin

Inspiration Strikes Back

Circa 1560

Foresleeve and Foreskirt
Fabric

More gown inspiration, found this image of a gown from the 1560s and I am absolutely in love with it. I was lucky enough to come across some vintage velvet fabric in a very nice shade of red. This is at a local thrift shop, they are curtains of course. It's so odd how I see other things out of everyday materials, wish they have awards for revisioning and repurposing the mundane everyday items to medieval. 

With that being said I would like to make this gown.  Though I don't know if I have enough yardage to complete it. Especially the fullness of the skirt and the way that is pleated. Though I have to say I would love to attempt this one. Even though, I have a red velvet gown made to match 1530 Queen Jane Seymour's Holbein portrait.   Especially the hanging sleeves are lovely on this one. If I can find the right material like the portrait for sleeves and inset and fore sleeves, I would be happy. Update; the fabric I have chose for this how has picture added to this blog
This was the closest representation of the fabric given modern fabric choices on the market in my area. The pattern and type of floral represented had to be the right type of acanthus. The medallion pattern in the hanging sleeve fabric from the painting was the toughest to match. Especially without  learning fabric pairing techniques of the 16th century.

3rd Embroidered Peacock

Hanging Sleeve Fabric

In the meantime I've been steadily working on my Elizabethan embroidered jacket. And I'm making a lot of progress, more so on the peacocks anything else. I am halfway done with them! I really thrilled that they're turning out so nice, been receiving  oodles of compliments on them. I think it'll be even more impressive when I finally start working on the flowers and get them narrowed down to a beautiful selection on the tree limbs along with some leaves and spangles.

I did find out that there was some ideas on how I was to finish the jacket. And that some of the stitches were a little bit too obvious, which I was formulating ways to cover over or change the stitching in the first place. I knew that it was kind of glaring and was needing covered or removed.

2nd Embroidered Peacock

Though I'm working on a series of stitches that I can go around the inside edge of each panel and really give it a finished look. So I'm going to use more of the coral wool like it did on the edges of the pattern pieces. So it all matches and goes with the continuing theme. I  have lots more work before this is all complete and wondering if I would even get close to having this done by Ice Dragon. Though it's been 2 years already, so what is a few more months.

Well that is the update for now, will keep posting progress as it continues. With photos technique posting and finishing details, as always make it a great one.

Embroidering Much,

Mairin

Crafting Storms

      Not that I am powering powerful have to craft up some amazing weather. Even though we've had

some wonderful snow to make it a very festive December. In Central Pennsylvania we got about a good 6 to 8 inches worth of the white stuff have enough to shovel. Heavy enough for me to only get a part of a days work in over the weekend. Was a little worried considering it was my on-call weekend the case I was going to have to run out to customers.  Luckily with all of everything else going on no calls really came in.  More snow is supposed to be coming in tonight. I know that it's going to be a real challenge to get all of my stops completed before the holidays. I do have a majority of my work to do this week, praying the weather holds.

In the meantime I have been crafting like a mad woman. At this point I am in the process of making a blackworked pouch with beading on it. It is in the same pattern as my black worked chatelaine from previous post. It is all drafted from the same piece of fabric with black embroidery, believe it or not was a short skirt. And unfortunately did not fit me so I found better uses for the fabric. I didn't find very many black embroidered type of cotton fabric,  it's was a great find.

     Besides making a pouch and working on the other blackwork

pieces to go with it. I have also been making stands for my linen ruff and cuffs. These are to help me better iron out my ruffs as well as for display purposes when I take them to competitions. What I did is I took wooden loops, there were letters from a craft store. Sewed a pouch of cotton fabric, inserted the wooden ring, and then stuff it with polyester batting. Proceeded to sew the back closed, glue them to the base piece of wood. And then glue that piece of wood onto the top of the wooden candlestick. I am going to paint the wood a beautiful gold color..

For more interest in not having a plain piece of white cotton fabric on top. I sewed the  heraldic patches on, from my peacocks as well as my heraldic shield to give it a unique look. Looking to see if there's some edging that I can do around the side with other needlework pieces. Though I have to be careful, because there's edges really are going to be used to help hold the ruffs to the stand. So more decision-making to be done though as you can see there has been some major progress

In my crafting moments, I been working on assembling the sleeves to my 16th-century embroidered

jacket. I have the sleeves pretty much completed this point and assembled with the guards on the top and a little bit of the shell beading.  I was planning on using some extra peach pink pearls with the gold spangles. I'm wondering whether not I want to make on the teal edges some very pretty snakes or salamanders out of these pink pearls to give it some extra interest I would only maybe put one or two. I don't plan on doing too much with the real edges. They already have coral stitching to keep them together and I do not want to hide all of that work.

I still have a lot of embroidering on the body of the particular piece. I've been working a lot of pattern

issues with this project. It's been a real challenge to make sure that everything is going to fit right and the gussets are going to lie flat and be the way that it was designed. So if all works out it's going to be one very stunning jacket. unfortunately my documentation on this is firm but I did not follow the period materials as much in making this. So I'm afraid that if I do put it in arts and sciences competition it is not going to score very well. Though I did learn a lot from making this particular project and that might be the only saving grace my documentation. To make more progress that I can post on this soon.

For now I got to get back to what I do best work, 

Maureen

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Goals & Improvements

Well I received my new corset in the mail.  Tried it on and fit perfectly, was unsure of the sizing by measurement would be right for me. Luckily my guess was correct. I took some more photos while wearing the corset to show how it looks under gowns as well as what it looks like with my other renaissance undergarments.

I want to thank my wonderful readers for all the page views. This blog has reached over 20,000 views this week, thank you! As a gift here are a selection of photos I took with the new under garments.

Humbled,

Mairin

Compare Contrast

 Wanted to give a side by side comparison, I think that even with my few changes it turned out really nice and a good tribute to the outfit in the painting. I like making gowns from paintings but this was a real challenge finding a suitable fabric, which was a find when I found it locally. This dress is very comfortable and I like the colors even more now that I have worn it. When I get my new corset I know that the profile will work better even than seen here in the photos.

 

  Actually both gowns are very nice and turned out gorgeous. I also made a gown out of the cream with gold brocade fabric that was a gift from Duchess Ilish O'Donovan.  The hood, foresleeves and foreskirt being the same fabric, I used the gold lozenge fabric, which I bought for $1, to make a matching trim on the gown. Which the result turned out beautifully. I like these shades than than I thought I would. They work well with my hair and skintone. Guess when you know you know, trust in instinct.

 I finally posted a collection on the previous post of new gown photos, as featured in this post. Couldn't get my phone to take good pictures without the photos eating up all my memory on that device. So still tried and true old Sony digital camera came through. Will have to see what I can do about this, the camera will stop working eventually and I will have to find a reasonable replacement.

Anyway I hope to post more photos soon, will depend on my work schedule and free time. Need to get picture of the brocade rose accent gowns. Which one is leaf green with white trim and the other is gold with red trim.  I have hats for these too, they are more of a general Renaissance style gowns, than from a particular European country. Specifically, I will see if I can 'style' them with accessories to make them more versatile from wearing to wearing. For now got to get back to chores and laundry.

Always a Busy Bee,

Mairin

Teal Pink and White Gown Gallery

Foresleeves, Foreskirts and Hoods, Oh My!

    Over the past day I did finish the velvet salmon colored foresleeves, they look gorgeous! Now on to to the foreskirt/underskirt. I make my underskirts versatile, I along with the Tudors, are big mix and match fans. Since the skirts I make are double faced, which is a non-period technique. Basically instead of using just one facing fancy fabric with a cheaper alternative fabric on the back side of the skirt. I use two fancier fabrics, one on the front and one on the back. Now this would be considered a modern costuming convention to save from making many individual foreskirts. This way I can get twice the use out of one skirt, it also saves space in crowded garb trunks as well.

    Drawbacks, if I decided to sell underskirts I have to sell ether two gowns that match the foreskirt and foresleeves or two foresleeves sets to got with the one skirt. Though this situation is resolved with my reduced selling of premade gowns and more emphasis on custom gowns.

     I do on occasion find that my thinking is inline with period techniques, which alot of methods are common sense. Others such as, meanings of words and other terminology; as well as translating old english language are a bit confusing, with the 500 year time gap and all. Though I surprise myself, with my similar Tudor thought process. In some respects, more than folks really give credit, we are closer to the Tudors than one thinks. My use of foreskirts is not a huge stretch from what they did in period. Everyone back then wanted to look as close to a higher class as they could get away with, which meant buying expensive fabrics and adornment. Though some lesser nobles had to choose carefully with the restrictions of sumptuary laws put out by the crown and the church. So today we can go and wear as we like, which is really a freedom they did not have in the 16th Century. I guess making gowns that have a similar color palate to back then is fun. Though modern reenactors/recreationists get to stretch the envelope so much more than Tudors ever could with our 500 year time advantage. Then there is accuracy and debates on technique, which I will leave for a another post.

    Formulating a plan of attack on making the French hood just like one in the painting for the teal gown. Though I am not going to use colored stones if I can help it on the biliment, the back edge of the hood. If I use just pearls and gold accents I can wear it with more sets of jewels than if I match it with specific colored gems. I have some beads that match the foresleeve beads and plan on using them to tie the French hood together with the foresleeves and foreskirt as a complete set.

    Sets are nice since you can match a hood, foresleeves and foreskirt and use them with more than one gown. The set I am making is also going to also be use with my Cream with Gold Brocade Tudor Gown, that I am working on simultaneously. The Cream with Gold Brocade Tudor gown does have pinkish with gold stones on it and will work great with the foreskirt set.


     Normally am not a huge color pink fan but I find that it suits my skin coloring well. If I go with more salmon, mauve, and shades of peach it really looks good on me. If I go to pale in shades it really washes me out, so I do pay attention to the shades I choose.  Its been fun to work with more unusual colorings in my wardrobe. If variety is the spice of life, bring on the spice!

     I am almost up to 20,000 views, thanks so much for the support over the years. If you are new consider following my blog, to get updated on the latest topics and pictures of my gown making adventures. Will post more pictures of my progress, plan on making a Tudor Garb Gallery with these two new gowns soon.

Sew Crazy,

Maureen

German Saxony Gowns

Wanted to show some German Saxony Renaissance Portraits that inspire me, they may not being exactly the time and coutry my SCA persona is located, this was her adopted home. Though I love well tailored gowns, hats and hairstyles of the 1540-1550 German. I wanted to share these jewels of clothing mastery with my readers.