Wednesday, January 19, 2022

Lost to History: A Treatsie on Gaps of Information in History


 It's a fact that always puzzled me, that there is a massive sum of information just lost to history. There was so much that people knew about trades, techniques, supplies, and so much more about the medieval and ancient world, that was not passed on. Since much of the information was passed through verbal means, many details were lost. It wasn't till much later in the 16th century, trade manuals became popular means to pass information, although not all information was written down. Certain trade secrets or methods were left out to protect the guild or merchant from trouble with their colleagues.  Many of these trade manuals continued to be popular and excellent sources of information into the 18th and 19th centuries, although incomplete. 


When I am discussing this topic of lost information, here is an example from a sewing techniques series of books. So when reading the previously mentioned sewing manual, it says to sew something in the usual way. An assumed amount of knowledge was common for those in the trade to know immediately. The instruction of the "usual way" is puzzling. Which stitch were they using, what was considered usual for that time, and why was this assumption even given in the manual at all? If it was common knowledge at the time, why bring it up? It raised many more questions than answered for me, as you can clearly see. Although this is a good example of my original statement of lost knowledge to the annals of history.

Some of the details are ancillary information that could further the understanding of a particular trade, technique, or various objects. Other pieces of information could be more key to figuring out a significant breakthrough in understanding from an earlier time in civilization. Occasionally we recover some lost information by traditional archeology, and newer versions of experimental archeology, or by other means of discovery via research. 

The main means of lost knowledge is advancements in technology in our modern world. Obseletism has its challenges, although prior methods are better recorded in our time than in the past. We can look at books and relearn food preparation techniques from the 1930s, the means that someone made clothing from the era, repaired a home from the Great Depression, how the family would grow food, and made needed objects for domestic use from sourced supplies. There is little loss to time, some but the further back one researches the wider the gap becomes.

 This gap is where we as historical reenactors, historical recreationists, amateur historians try to fill in by experimental archeology. Which is creating theory and conjecture on how certain tasks, items were made, careers were worked, and how everyday things were accomplished with the tools and materials from the time. The tricky part is that due to lost trade or common knowledge, the hopes of historical accuracy can feel but a pipe dream. Many a historical clothier or other various old world trade reenactor tries to show their trade as it was done in the time. It's a glimpse into a particular past, although technically historically incomplete. 

In conclusion, true historical accuracy is a near-impossible task to achieve. As amateur historians, historical reenactors, or historical recreationists have a responsibility to portray an accurate version of history. Within the rules and confines of a group or particular organization and to the best knowledge of the individual. All the while taking into consideration modern tastes, sensibilities that have occurred after the portrayed period of time depicted by the event. Although someone has taken time to learn something from the past, it's just a sliver of the truth, since we are not a person who actually lived during the depicted time. Ever endeavor to gain knowledge as discovered and researched, we should task ourselves to do our best even if not historically complete. History offers many interesting insights to learn from, even in our modern world.

Things to think about for my own interpretations in 2022 for Tudor clothing,

Marrin    

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Replica 1560's Venetian Italian Fashion Doll

Replica 1560's Venetian Italian Fashion Doll

Replica 1560 French Fashion Doll

Replica 1560 French Fashion Doll

Tudor Q and A

What is a Tudorosity?

A mashed combination of the words Tudor and Curiosity to create the word Tudorosity. Tudorosities is the plural form and the deffinition is as follows.

Tudorosity- an desire to learn or know anything about the Tudor dynasty associated with years 1405 through 1603.

Most people ask my why I make the Tudor garb ?

I find the clothing of this era not only beautiful but also challenging to sew. There is much more care and purpose put into making garments and wearing garments in the Tudor Era. I love the look of Tudor so much I wanted to explore the way clothes were made back then and the subtle changes in fashion and styles of time.

How did you get started in this interesting hobby?

I started with art first, I love to draw, paint, and sculpt all the traditional fine arts. So being able to draw helps me visualize the looks I want to create in my garb. History has always been a huge interest of mine and I've had a knack for sewing since I was 7 years old. It all started with doll clothes and I learned cross stitch embroidery from my grandmother when I was little. I am self taught sewer, crochet, knitting, embroidery and tatting. My methods are learned from books mainly and there is still so much more to learn.

What is my favorite outfit and why?

It would be like picking a favorite out of one of my future children, its impossible. I love all my gown creations and really like the distinct differences in all the styles clothing I make for the Tudor Era.

Do you make the whole outfit including hat, shoes, and undergarments?

I do have a goal of making a complete Tudor from the skin out. As of right now I make 90% of my gowns and accessories. The shoes and stockings, are bought online and the petticoats are a close reproduction but not made by me. .

How long does it take to make a gown?

It all depends on the type of gown. The making relies on the time period and class of the design. Generally if I work on it 8 hours a day on a sewing machine it will take 3 days to get the basics and another 5 days to do finish hand-sewing details and beading. So a week to a week and a half if working on it steady for that amount of time. I work a full-time job so it does take longer than a week to complete. I put over 40-100 hours per outfit depending on its complexity, its like its own full time job of sorts.

Do you make renaissance clothing for sale or custom orders?

No, due to new employment and changes in my lifestyle. Unfortunately, I have no time to support sewing for others. Though I recommend sewing lessons for those adventurous few. There are many fine folks who make and sell historical clothing. I suggest guidance with sew from many fine historical enthusiastic costumers out on the internet.

How long have you been making these elaborate costumes?

I have been in the Society of Creative Anachronism coming up on my 18th year. Active since 2004 working at demonstrations and volunteering when I could between working and other life's distractions. I really concentrated on Tudor sewing in 2007 and worked with patterns to learn proper fabrics, techniques, fit, and silhouette. I really enjoy the eras transition from a medieval form fitting layered cotterdie to the boned Tudor kirtle and then to structured Elizabethan clothing.

Replica 1490 Milan Italian Fashion Doll

Replica 1490 Milan Italian Fashion Doll
Based on art by Giovanni Ambrogio

O’Kealy Heraldry

O’Kealy Heraldry